X-1.1

X MEANS MULTIPLICATION

BEYOND RUDIMENTARY ADDITION

AND SUMMATION

X-1.2

X CONTAINS POWERS

OF AGGREGATION WITH

ASCENDING MAGNITUDE

X-1.3

X IS THE POWER

OF  THE MELBOURNE COMPLEX

TO DISASSEMBLE LIMITS

X-1.4

X CONSISTS OF SURPLUS

NORMATIVE FACADES WITH

SATURATED BAROQUE INTERIORS

X-2.1

THE MELBOURNE COMPLEX

IS RE-ORGANISING DAILY

THIS IS NOT THE TIME

FOR PARANOID SOLUTIONS

X-2.2

MIRROR SYSTEMS SUBDIVIDES

THOUGHT AS A

DWELLING STYLE

X-2.3

THE MELBOURNE COMPLEX

IS THE ADVENT OF

INTERNALISED DIASPORAS

X-3.1

THE INTENSITY OF

THE MELBOURNE COMPLEX

IS NOT LOCAL

THE HISTORY OF

THE MELBOURNE COMPLEX

IS NOT LOCAL

X-3.2

THE MELBOURNE COMPLEX IS

NOT A FABULOUS SANCTUARY

THE MELBOURNE COMPLEX IS

NOT IN YOUR NEIGHBOURHOOD

X-3.3

PLURAL MELBOURNE CONTEXTS

ARE THE MIRROR SYSTEMS

THAT REFLECT  THE IMAGE

OF YOU WHICH YOU

DID NOT COMPOSE

X-4.1

THE MELBOURNE COMPLEX

IS NORMALISING

GROSS IMPORTATIONS

THERE ARE NO HOMES

IN THE MELBOURNE COMPLEX

X-4.2

THE HISTORY OF  THE

MELBOURNE COMPLEX

IS RESTARTING

THE MELBOURNE COMPLEX

HAS A NEGATIVE IMBALANCE

X-5.1

ARCHITECTURE IS NOT

AN ORGANISED DEMARCATION

OF DESIGNATED SPACES

THE MELBOURNE COMPLEX

IS PROJECTING UNSPECIFIED

PALIMPSESTS ONTO

MANUAL GRIDS

X-5.2

MIRROR SYSTEMS INHABIT THE

SPATIAL DISTORTIONS AND

COMPRESSIONS OF THE

MELBOURNE COMPLEX

THEY CONCEAL

POSTHUMOUS EXPLANATIONS

THEY ARE CANONS

X-6.1

X IS  THE SOCIAL

EQUIVALENT OF

THE MELBOURNE COMPLEX

X-6.2

X IS  THE EMANCIPATION

THAT DOES NOT

ROMANTICISE DEPOPULATION

X-6.3

X IS A SYSTEM

OF SIMULTANEOUS ARRIVALS

X-6.4

X IS AN INTERMIXTURE

MAGNIFIED WITH

SYNTHETIC LIGHT

X-7.1

MLADEN KAUZLARIC

ZDENKO STRIZIC

ZLATKO NEUMANN

SLAVKO LOWY

2SL-1.1

THE MELBOURNE COMPLEX IS

ABANDONING A SURPLUS OF

DEMOCRATICALLY AVAILABLE

NATURAL LIGHT

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

THE MELBOURNE COMPLEX IS

A CHIAROSCURO GLITZ

2SL-1.2

NATURAL LIGHT IS EXITING

IN CHRONIC PARENTHESES OF

REFRACTION AND REFLECTION

WITHOUT CONTROLS

SYNTHETIC LIGHT IS

A RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

2SL-2.1

NATURAL LIGHT IS A SCARCITY

IDENTIFIED BY ELABORATE

DETOURS AND

DERIVATIVE FRAGMENTS

SYNTHETIC LIGHT IS

A RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

2SL-2.2

NATURAL LIGHT IS BEING

RE-CONSTITUTED AS

MICROCOSMS/ INDEXES/

ARCHIPELAGOES/ MACHINES/

APHORISMS

SYNTHETIC LIGHT IS

A RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

2SL-3.1

NATURAL LIGHT IS BEING

IRREVERSIBLY REMOVED

FROM ITS SOURCE

2SL-2.2

THE MELBOURNE COMPLEX

IS APPROACHING A

SYNTHETIC LIGHT ADMINISTERED

RANDOMLY AND GRATUITOUSLY

2SL-3.2

THE MELBOURNE COMPLEX IS

PROCEEDING TOWARDS AN

INFINITESIMAL AND BAROQUE

SYNTHETIC LIGHT

THE MELBOURNE COMPLEX

IS COMMENCING IN

SYNTHETIC LIGHT

2SL-3.3

SYNTHETIC LIGHT IS

NOT A METHOD

THESE ARE NOT

LABORATORY CONDITIONS

STELLAR THOUGHT

MIRROR SYSTEMS

THAT REFLECT

THE IMAGE

OF

YOU

WHICH YOU DID NOT

COMPOSE

3IG-1.1

INTERSTITIAL GARDENS ARE

REINTRODUCING ORGANIC

PHENOMENA IN INCREMENTAL

AND ACCUMULATIVE QUANTITIES

3IG-1.2

AT SUB-ANTHROPOMORPHIC

SCALES INTERSTITIAL GARDENS

ARE AN EXPONENTIAL

AND DIABOLICAL ANARCHY

THERE IS NO INTEGRATION

THERE ARE NO DRAWINGS

3IG-2.1

INTERSTITIAL GARDENS ARE

CONSUMING THE

MELBOURNE COMPLEX

3IG-2.2

INTERSTITIAL GARDENS ARE

MULTIPLYING BEYOND

CORPOREALITY/ ARTIFICE/

CAPITAL/ CIVILITY

INTERSTITIAL GARDENS ARE

PLURALISING AND EXTRA

HUMANISING SIMULTANEOUSLY

3IG-2.3

INTERSTITIAL GARDENS ARE

DISCOVERED AND OCCUPIED

BY SUSPENDING OUR

MORAL AUTHORITIES

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE 

3IG-3.1

WITHOUT ANTHROPOMORPHIC

DIMENSIONS WATER

CONSTITUTES IRREPRESSIBLE

INTERSTITIAL GARDENS

3IG-3.2

MIRROR SYSTEMS DEPLOY THE

SATURATION CAPACITIES AND

MALLEABILITY OF

INTERSTITIAL GARDENS

3IG-3.3

MIRROR SYSTEMS IMAGINE

INTERSTITIAL GARDENS OF

LIQUID AND

UBIQUITOUS SENSUALITY

3IG-3.4

MIRROR SYSTEMS POSSESS

THE MASTERY OF BATHING

INTERSTITIAL GARDENS

IN SUPREME LOGIC

3IG-3.5

THE MELBOURNE COMPLEX IS

AN ABSTRACTION OF THE

VENICE/ SYDNEY COMPOSITE

INTERSTITIAL GARDENS ARE  THE

SPECTACLE OF DALMACIJA

3IG-4.1

BY INTRODUCING SIMULACRA

INTERSTITIAL GARDENS IMBUE

THE MELBOURNE COMPLEX WITH

IMAGINARY VERDANT OPULENCE

THERE ARE NO RESTRAINTS

TO THE REPRODUCTIVITY OF

VENEERS/ PAINTS/ MIRRORS/

CHROMES/ POLISHES/ FILMS

PETRIFACTIONS HAVE

NO MATERIAL DEPTH

IMAGES ARE A FORM

OF VAPOROUS TRANSMISSION

INTERSTITIAL GARDENS RELIVE

THESE MOMENTS REPEATEDLY

3IG-4.2

MIRROR SYSTEMS DISTRIBUTE

GENERATIVE IMAGERY THAT HAVE

NO ARCHITECTURAL DIMENSIONS

INTERSTITIAL GARDENS

POSSESSES A DECORATIVE

MULTIPLICATION THAT GESTURE

TOWARDS ABSOLUTE

TRANSFIGURATION

4TD-1.1

THE CONSOLIDATION OF

THE MELBOURNE COMPLEX IS

AN EPIDEMIC OF DETRITUS

4TD-1.2

CREATIVITY IS NOISE

4TD-1.3

THERE IS NOTHING

TO BE ACCLAIMED

4TD-1.4

THE MELBOURNE COMPLEX

IS NOT WARPED BY

ARCHITECTURAL RESISTANCE

ARCHITECTURE AS A VALID

MATERIAL ENTITY IS

A MISUNDERSTANDING

4TD-1.5

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A TOTAL DEMATERIALISATION

4TD-2.1

TOTAL DEMATERIALISATION

DOES NOT DISPORT ORIGINALITY

WITH INCONTESTABLE RHETORIC

4TD-2.2

TOTAL DEMATERIALISATION IS

THE COMPREHENSIVE

DISARTICULATION OF

ARCHITECTURE

4TD-2.3

TOTAL DEMATERIALISATION IS

THE EXERCISING OF

TRANSPARENCY/ VOIDS

REFLECTIVITY IN

INDECIPHERABLE COMBINATIONS

TOTAL DEMATERIALISATION IS

THE EDIFICATION

OF RESTLESSNESS

4TD-2.4

TOTAL DEMATERIALISATION IS

ALEATORY AND NEGATIVE

4TD-2.5

TOTAL DEMATERIALISATION IS

THE INVERSE REHABILITATION

OF ARCHITECTURE

4TD-2.6

TOTAL DEMATERIALISATION IS

NOT A DESCRIPTION OF

ATTAINABLE  THINGS

TOTAL DEMATERIALISATION IS A

FORM OF LUCID MEMORY

4TD-2.7

TOTAL DEMATERIALISATION IS

AN IDEAL WITH NO EVIDENCE

THE MELBOURNE COMPLEX

IS THE EPICENTRE

OF DISAPPEARANCES

4TD-2.8

TOTAL DEMATERIALISATION IS

MAKING COMPARISONS WITH

MISSING THINGS

WORDS ARE MINERALS

4TD-3.1

SHADOWS ARE ANTI-MATTER

4TD-3.2

BLACK IS A FORM

OF NEGATION

4TD-3.3

BY SUBDUING LIGHT THE

SUPERIMPOSITION OF DIFFERENT

DARKNESSES BECOMES

ORCHESTRATED ANARCHY

4TD-3.4

GENIUS IS A DIMINISHING LIGHT

TOTAL DEMATERIALISATION IS

THE AFTERMATH OF

SIMULTANEOUS BREVITY

4TD-3.5

TOTAL DEMATERIALISATION

DISCHARGES EXPERIENCES

WITHOUT AXES

THE MELBOURNE COMPLEX

IS PIONEERING

COMMUNICATION BETWEEN

SCATTERED FRAGMENTS

TOTAL DEMATERIALISATION IS

THE ADVENT OF NETWORKED

BLACK TABULA RASAS

4TD-3.6

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE

5BEX-1.1

BETA EXCAVATIONS OF

THE MELBOURNE COMPLEX ARE

DELIVERING LIVE HABITATS

5BEX-1.2

BETA EXCAVATIONS ARE

CREATING POROSITIES

AND NEGATIVITIES

5BEX-1.3

BETA EXCAVATIONS ARE

ACOUSTIC AND THERMAL

MICROCOSMS

BETA EXCAVATIONS ARE

VENTILATING AND

ILLUMINATING WITH

WELL/ SHAFT COMBINATIONS

5BEX-1.4

THE SUBTERRANEAN MELBOURNE

COMPLEX IS A PERVERSE

TOPOGRAPHY

BETA EXCAVATIONS ARE

THE REINVENTION OF

THE MELBOURNE COMPLEX

WITHOUT VISION

5BEX-2.1

THE VOIDS OF BETA EXCAVATIONS

LAUNCH SHOCK AUTONOMIES

5BEX-2.2

BETA EXCAVATIONS ARE

THE OVERDUE REWINDING

OF ARCHITECTURE

5BEX-2.3

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A PERENNIAL TRANSGRESSION

BETA EXCAVATIONS ARE

A REVERSAL

5BEX-2.4

BETA EXCAVATIONS ARE

AN INVERTED AND

BACKWARDS TRAJECTORY

5BEX-2.5

BETA EXCAVATIONS ERASE

AND FORGET

BETA EXCAVATIONS DO NOT

CONSTITUTE ADDITIONS AND

EMBELLISHMENTS

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU WHICH

YOU DID NOT COMPOSE

5BEX-2.6

BETA EXCAVATIONS REPRESENT

A SUB-SURFACE CIVILITY

MIRROR SYSTEMS CHART

RECIPROCAL SUBMERGED FLIGHT

5BEX-3.1

THE BETA EXCAVATIONS OF

THE MELBOURNE COMPLEX

CONSIST OF WATER/

INTERSTITIAL GARDENS/

MIRRORS

5BEX-3.2

BETA EXCAVATIONS ARE FOUND

VOIDS MEDIATED WITH

EPHEMERA AND EXTRA

HUMAN FLORA

5BEX-3.3

BETA EXCAVATIONS ARE

METHODICALLY DOCUMENTING

A PRODIGIOUS SUB-ARTIFICE

THE MELBOURNE COMPLEX

IS LOST

5BEX-3.4

BETA EXCAVATIONS ARE

THE INDIGENOUS

MICRO-ARCHITECTURE

INSIDE THE MELBOURNE COMPLEX

6IA-1.1

INSTANT ARCHEOLOGIES ARE

REOCCURRING LOST MOMENTS

UNSPECTACULAR AMBIANCES

ARE ENDANGERED BY

DISENCHANTED TRANSFORMATIONS

6IA-1.2

THE MELBOURNE COMPLEX

IS SIMULTANEOUSLY

BLURRING AND ADVANCING

6IA-1.3

INSTANT ARCHEOLOGIES ARE

A RAPID NOSTALGIA

INSTANT ARCHEOLOGIES

ARE THE ZEAL OF

ABBREVIATED FAREWELLS

MIRROR SYSTEMS COMMEMORATE

AND HISTORICISE

INDISCRIMINATELY AT

MERCILESS SPEEDS

6IA-2.1

PERPETUAL DISTURBANCES

DEPOSIT AN ACQUIRED

AND PROVISIONAL INVENTORY

THERE ARE TRANSIENT LEGENDS

IN THE DISPOSABILITY

OF  THE MELBOURNE COMPLEX

6IA-2.2

INSTANT ARCHEOLOGIES

ARE EPISTEMOLOGICALLY

INDETERMINATE

6IA-2.3

INSTANT ARCHEOLOGIES ARE

THE FORMATION OF AN

EXEMPLARY BANALITY

INSTANT ARCHEOLOGIES ARE

THE DOMAIN OF VIRAL FOLLIES

AND INDISCRIMINATE SPOLIA

6IA-2.4

INSTANT ARCHEOLOGIES ARE THE

MEGALOPOLIS OF RUINS

6IA-3.1

THE MELBOURNE COMPLEX IS

A SUPERIMPOSITION OF

INSTANT ARCHEOLOGIES

6IA-3.2

BETA EXCAVATIONS EXPOSE

THE STRATA AND

INTERNAL ENIGMAS OF

URBAN ACCUMULATION

6IA-3.3

TOTAL DEMATERIALISATION IS

THE VACUUM THAT

RAREFIES MISCELLANY

MIRROR SYSTEMS THAT REFLECT THE IMAGE

OF YOU WHICH YOU DID

NOT COMPOSE

6IA-3.4

THE MELBOURNE COMPLEX

IS A RECORD

OF ITS OWN EVACUATION

7NEX-1.1

MIRROR SYSTEMS SUBSTITUTE

JUNK CREATIVITY WITH

NAMELESS EXTERIORS

NAMELESS EXTERIORS WILL

DELIVER THE INDETERMINACIES

OF THE MELBOURNE

COMPLEX INTO RELIEF

NAMELESS EXTERIORS DO NOT

ATTEMPT  TO RECREATE  THE

THE MELBOURNE COMPLEX WITH

CREATIVE ICONS

THEY ARE ALL INANIMATE

7NEX-2.1

THE MELBOURNE COMPLEX

IS INCIDENTALLY CHAOTIC

ITS SUBSTANCE IS BAROQUE

COMPLEXITY CAN NOT

BE REPRESENTED

7NEX-2.2

MIRROR SYSTEMS ARE RETROACTIVE

NAMELESS EXTERIORS ARE NOT

A CIVIC DECLARATION

IN ACTION

7NEX-2.3

NAMELESS EXTERIORS ARE A

MEDIATION WITHOUT FOCUS

NAMELESS EXTERIORS ARE

A CONTRAPUNTAL SYMPHONY

IN EXILE

NAMELESS EXTERIORS ARE A

DISCONNECTED REVOLUTION

7NEX-2.4

NAMELESS EXTERIORS ARE WHEN

ARCHITECTURE LOSES

ITS IDENTITY

NAMELESS EXTERIORS ARE

A PANORAMIC BLUR

THE MELBOURNE COMPLEX IS

PLAYING WITH MANY FORCES

OF DILUTION

NAMELESS EXTERIORS ARE

A DIMINISHING RELATIVITY

7NEX-3.1

MIRROR SYSTEMS REPLACE

ARCHITECTURAL INTERFERENCE

WITH NAMELESS EXTERIORS

7NEX-3.2

X IS THE QUANTITIVE

TRANSGRESSION OF

MEASUREMENT AND CONTROL

7NEX-3.3

NAMELESS EXTERIORS

MIRROR SYSTEMS

THAT REFLECT THE IMAGE

OF YOU WHICH YOU

DID NOT COMPOSE

TOTAL DEMATERIALISATION IS

WHEN MATERIALITY AND

EXPRESSION ARE

ANTI-GRAVITATIONAL

7NEX-4.1

NAMELESS EXTERIORS ARE

DEVELOPED IN

NEUTRAL VACUUMS

NAMELESS EXTERIORS ARE

COLLECTIVELY EVADING

ATTRIBUTABLE QUALITIES

NAMELESS EXTERIORS ARE

THE CHOREOGRAPHED

DISAPPEARANCE OF QUALITIES

OUTSIDE PROGRESS

7NEX-4.2

NAMELESS EXTERIORS ARE NOT

A CLASSIFIED ERA

NAMELESS EXTERIORS

CONSOLIDATE NORMS

WITHOUT TELEOLOGY

7NEX-4.3

NAMELESS EXTERIORS

CONSTITUTE THE LATE PUBLIC

NAMELESS EXTERIORS

REPRESENT A NON

ALIGNMENT BETWEEN

ARTIFICE AND ITS PUBLIC

8DP-1.1

DEPROGRAMMING IS THE

INTRODUCTION OF

INDETERMINATE AND

IRRECONCILABLE ARENAS

8DP-1.2

AUTHENTIC VOIDS HAVE

A PERMANENT FUTILITY

8DP-2.1

DEPROGRAMMING IS THE

CESSATION OF ARCHITECTURAL

ENCLOSURE AND THE

ABOLITION OF PRIVACY

DEPROGRAMMING IS CUTTING/

ERASING/ SUSPENDING/

BREAKING/ INCLINING

8DP-2.2

THE MELBOURNE COMPLEX

IS UNPLANNED

THE MELBOURNE COMPLEX

IS NOT A PLACE

THE MELBOURNE COMPLEX

IS INCLINING

8DP-3.1

DEPROGRAMMING EQUATES

WITH INSTANT ARCHEOLOGIES

DEPROGRAMMING IS REVERSING/

EXPOSING/ ABANDONING

DEPROGRAMMING IS PETRIFACTION

8DP-3.2

NOTHING WORKS

8DP-4.1

DEPROGRAMMING CORRESPONDS

WITH THE CESSATION

OF ARCHITECTURAL

PROFESSIONALISM

8DP-4.2

DEPROGRAMMING IS FORGETTING

INSTEAD OF LEARNING

8DP-5.1

DEPROGRAMMING IS NOT A

WARM SYNCHRONISATION WITH

TERRITORIAL CERTAINTIES

8DP-5.2

DEPROGRAMMING IS MIXING

SPECTRUMS OF

APPOSITE SPEEDS

DEPROGRAMMING IS THE

RELIEF OF SPEED

THE MELBOURNE COMPLEX EXISTS

AT BAROQUE SPEEDS

8DP-5.3

DEPROGRAMMING OPERATES AT

NON  TERRESTRIAL SPEEDS

LIGHT SHARES AN EQUAL

VELOCITY WITH DARK

DEPROGRAMMING IS NOT

THE  THEMATISATION

OF DIFFERENCES

8DP-5.4

THE MELBOURNE COMPLEX IS

NOT INTEGRATED

8DP-5.5

DEPROGRAMMING

IS A SERENE HOLIDAY

8DP-6.1

DEPROGRAMMING IS THE

LOGIC OF PERVASIVE

INTERSTITIAL GARDENS

8DP-6.2

DEPROGRAMMING IS

EXTRA HUMAN

THE MELBOURNE COMPLEX

IS UNINHABITED

8DP-7.1

DEPROGRAMMING ABANDONS

DESIGNATED PURPOSES WITH

MONOTONOUS REPETITION

DEPROGRAMMING IS  THE

ABSENCE OF COMMAND

8DP-7.2

DEPROGRAMMING IS THE

TRANSITION FROM RANKING

PRIORITIES TO INTERMINABLE

IRRATIONAL SEQUENCES

8DP-7.3

DEPROGRAMMING IS COLD

AND PRIMITIVE

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE

9SM-1.1

SPECIAL MEMBRANES

CONSTITUTE ARCHITECTURAL

FILTERS CALIBRATED BY

DEPTH AND ATTENUATION

IS THERE IS AN

ELASTICITY BETWEEN PUBLIC

AND PRIVATE BEHAVIOUR

HOW FAR CAN SOMEONE

DISAPPEAR AND THEN

RE-EMERGE IN THE

MELBOURNE COMPLEX

9SM-1.2

SPECIAL MEMBRANES

CONSTITUTE DELAYS AND

IMMERSIONS IN THE

MELBOURNE COMPLEX

SPECIAL MEMBRANES CONSUME

THE MELBOURNE COMPLEX

WITH MANNERISMS

9SM-1.3

MIRROR SYSTEMS STROLL

BETWEEN REGIONS

MIRROR SYSTEMS DISCOVER

TRANS- CONTINENTAL

SOLUTIONS AND APPLY

THEM TO FAMILIAR ROUTINES

MIRROR SYSTEMS THAT REFLECT THE IMAGE OF YOU WHICH YOU DID NOT COMPOSE

SPECIAL MEMBRANES ARE THE

ARCANE DELICACIES OF DOORS/

CURTAINS/ THRESHOLDS/

SCREENS/ HINGES/ HANDLES

ARCHITRAVES RELOCATED TO

THE MYRIAD OF INTERSECTIONS

IN THE MELBOURNE COMPLEX 

9SM-2.1

THE NEBULOUS MELBOURNE

COMPLEX IS RELAYED BETWEEN

THE LOS ANGELES GERM / THE

HONG KONG GERM/ THE

LONDON GERM/ THE

BERLIN GERM

THE MATURATION OF

THE MELBOURNE COMPLEX

IS IN TRANSITS

9SM-2.2

DISPLAY WINDOWS/ VESTIBULES/

WARDROBES/ANTECHAMBERS/

FOYERS/ ATRIUMS ARE THE

VESSELS THAT PROVE THE

MELBOURNE COMPLEX IS

NEVER ENTIRELY PRESENT

9SM-2.3

THE MELBOURNE COMPLEX IS

NOT COMPLETELY HERE

THE MELBOURNE COMPLEX IS

PARTIALLY MISSING

THE MELBOURNE COMPLEX IS

A STYLE OF TRANSPORT

9SM-2.4

SPECIAL MEMBRANES

ARE A FORM OF

UNDOCUMENTED BREVITY

SPECIAL MEMBRANES ARE THE

RECORDINGS OF

ACCIDENTAL INFORMATION

9SM-3.1

TEMPERATURES/ COLOURS/

REFLECTIVITY ARE THE

MUTABLE TERMS OF

SPECIAL MEMBRANES IN TRANSIT

9SM-4.1

FROM THE PROGENY OF

THE DIASPORA TO THE

SUPREMATIST COSMOS FLICKERING

GRANULAR ANARCHY

9SM-5.1

MIRROR SYSTEMS ARE SUMMER

SUNLIGHT REFRACTING

SPONTANEOUSLY INTO

THE DEEP SEA

MIRROR SYSTEMS TRAVEL

FROM ONE PLACE  TO

ANOTHER ACROSS A MEDIUM

OF FINE RESISTANCE

MIRROR SYSTEMS BALANCE

BETWEEN UNINHABITED

AND UNEARTHLY ISLANDS

AT NOON TIDE

9SM-6.1

MIRROR SYSTEMS ARE A

LUXURIOUS TRANSCONTINENTAL

JET TRAJECTORY

MIRROR SYSTEMS ARE

IN THE SPACE OF

TRANSPORTED SLUMBER

SAY UNBIND

MIRROR SYSTEMS INTERSECT

AT GREAT SPEED

SAY LOKSKOOIDGIIF