SERVICES

S1.1

MIRROR SYSTEMS IS A PROFESSIONAL

ARCHITECTURAL PRACTICE

 

MIRROR SYSTEMS IS BASED

IN  THE MELBOURNE COMPLEX

 

S1.2

THE NAME MIRRORS SYSTEMS

ORIGINATES FROM THE JEAN

GENET NOVEL MIRACLE OF

THE ROSE WHICH FINDS

 

MIRROR SYSTEMS

THAT REFLECT THE IMAGE OF

YOU WHICH YOU

DID NOT COMPOSE

 

S1.3

MIRROR SYSTEMS CULTIVATE EXPERTISE

SPECIFIC  TO THE DENSIFICATION

OF  THE MELBOURNE COMPLEX

 

THE DENSIFICATION OF  THE

MELBOURNE COMPLEX IS EXPRESSED

IN SPATIAL COMPRESSIONS

AND DISTORTIONS

 

THE PLATITUDES OF ARCHITECTURE

ARE EXHAUSTED

 

S2.1

THE FOUNDER AND

DIRECTOR OF MIRROR

SYSTEMS IS JOHN BRALIC

 

S2.2

THE ARCHITECTURE OF  THE

MELBOURNE COMPLEX

IS IN DISEQUILIBRIUM

 

THERE ARE NO

DOMINANT AUTHORITIES

 

MIRROR SYSTEMS DISAGGREGATE

OBSOLETE ARCHITECTURAL METHODS

 

MIRROR SYSTEMS GENERATE

PROLIFIC DIDACTIC EXPERTISE

 

SUCH AS

 

X

 

SYNTHETIC LIGHT

 

INTERSTITIAL GARDENS

 

TOTAL DEMATERIALISATION

 

BETA EXCAVATIONS

 

INSTANT ARCHEOLOGIES

 

NAMELESS EXTERIORS

 

DEPROGRAMMING

 

SPECIAL MEMBRANES

 

S3.1

MIRROR SYSTEMS CONCEIVE

SERVICES AND LANGUAGE FOR

THE ARCHITECTURE OF  THE

MELBOURNE COMPLEX

 

S3.2

THE ACQUISITION OF NEW

KNOWLEDGE WARRANTS CERTIFICATION

BOTH UNORTHODOX AND SUBLIME

 

S4.1

MIRROR SYSTEMS PROJECTS ARE

IN PREPARATION FOR AND

UNDER CONSTRUCTION IN

 

WINDSOR

 

SOUTH YARRA

 

FOOTSCRAY

 

SPOTSWOOD

 

NORTHCOTE

 

CREMORNE

 

NORTH MELBOURNE

COSMOPOLITAN FUSIONS

0MS-01.1

THE MELBOURNE COMPLEX

IS AN ADMISSION

OF COSMOPOLITAN FUSIONS

 

0MS-01.2

MIRROR SYSTEMS ARE IMPERVIOUS

TO  TERRITORIAL DOMESTICATION

 

0MS-01.3

TERRITORIAL DOMESTICATION IS

NOT SUITED TO PROVIDING

THE VISION AND SERVICES

OF  THE MELBOURNE COMPLEX

 

0MS-03.1

COSMOPOLITAN FUSIONS

ARE NOT COMPATIBLE WITH

TERRITORIAL DOMESTICATION

 

COSMOPOLITAN FUSIONS HAVE DIFFERENT

ORDERS OF ENGAGEMENT  THAN

THE PLACES AND COMMUNITIES

OF  TERRITORIAL DOMESTICATION

 

0MS-03.2

THE  TRANSIENCE OF COSMOPOLITAN

FUSIONS ARE SPECIFIC  TO

THE MELBOURNE COMPLEX

 

0MS-04.1

MIRROR SYSTEMS OPERATE AT

A SPECIAL NEXUS OF

ARCHITECTURE AND COSMOPOLITAN FUSIONS

 

0MS-04.2

MIRROR SYSTEMS AUTHORISE

PEDIGREES OF COSMOPOLITAN FUSIONS

IN  THE MELBOURNE COMPLEX

 

0MS-05.1

MIRROR SYSTEMS UNIVERSALISE

COSMOPOLITAN FUSIONS SPECIFIC  TO

THE MELBOURNE COMPLEX

 

0MS-05.2

MIRROR SYSTEMS DO NOT

RECALIBRATE IMAGES OF

THE MELBOURNE COMPLEX FOR

TERRITORIAL DOMESTICATION

 

0MS-05.3

MIRROR SYSTEMS AUTHENTICATE

COSMOPOLITAN FUSIONS  THAT

EXTRAPOLATE  THE MELBOURNE COMPLEX

THE MELBOURNE COMPLEX IS NEBULOUS

00MS-01.1

THE ARCHITECTURE OF  THE

MELBOURNE COMPLEX IS AN

IMPERSONAL ARTIFICE POPULATED WITH

UNIDENTIFIED AND INDEPENDENT ACTORS

 

THE CONNECTION BETWEEN 

THE  TWO REQUIRES REJECTION

OF REASSURING TERRITORIAL DOMESTICATION

 

THE MELBOURNE COMPLEX

IS NEBULOUS

 

00MS-01.2

MIRROR SYSTEMS ARE A

FORM OF PRODUCTIVITY

WITHOUT PROTAGONISTS

 

MIRROR SYSTEMS DO NOT

PARTICIPATE IN  TERRITORIAL DOMESTICATION

 

MIRROR SYSTEMS ARE NOT

AWARD WINNERS

 

00MS-02.1

MIRROR SYSTEMS PRODUCTIVITY

IS A DISUNITED ANONYMITY

 

THE MELBOURNE COMPLEX

IS NEBULOUS

 

00MS-02.2

MIRROR SYSTEMS ARE ENUMERATIVE/

PROFESSIONAL/ INDEPENDENT

 

THE MELBOURNE COMPLEX

IS NEBULOUS

X

X-1.1

X MEANS MULTIPLICATION BEYOND

RUDIMENTARY ADDITION AND SUMMATION

 

X-1.2

X CONTAINS POWERS OF

AGGREGATION WITH ASCENDING MAGNITUDE

 

X-1.3

X IS THE POWER

OF  THE MELBOURNE COMPLEX

TO DISASSEMBLE LIMITS

 

X-1.4

X CONSISTS OF SURPLUS

NORMATIVE FACADES WITH

SATURATED BAROQUE INTERIORS

 

X-2.1

THE MELBOURNE COMPLEX

IS RE-ORGANISING DAILY

 

THIS IS NOT  THE TIME

FOR PARANOID SOLUTIONS

 

X-2.2

MIRROR SYSTEMS SUBDIVIDES  THOUGHT

AS A DWELLING STYLE

 

X-2.3

THE MELBOURNE COMPLEX

IS  THE ADVENT

OF INTERNALISED DIASPORAS

 

X-3.1

THE INTENSITY OF

THE MELBOURNE COMPLEX IS

NOT LOCAL

 

THE HISTORY OF

THE MELBOURNE COMPLEX

IS NOT LOCAL

 

X-3.2

THE MELBOURNE COMPLEX IS

NOT A FABULOUS SANCTUARY

 

THE MELBOURNE COMPLEX IS

NOT IN  YOUR NEIGHBOURHOOD

 

X-3.3

PLURAL MELBOURNE CONTEXTS ARE

THE MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU

DID NOT COMPOSE

 

X-4.1

THE MELBOURNE COMPLEX IS

NORMALISING GROSS IMPORTATIONS

 

THERE ARE NO HOMES

IN  THE MELBOURNE COMPLEX

 

X-4.2

THE HISTORY OF  THE

MELBOURNE COMPLEX IS RESTARTING

 

THE MELBOURNE COMPLEX

HAS A NEGATIVE IMBALANCE

 

X-5.1

ARCHITECTURE IS NOT

AN ORGANISED DEMARCATION

OF DESIGNATED SPACES

 

THE MELBOURNE COMPLEX IS

PROJECTING UNSPECIFIED PALIMPSESTS

ONTO MANUAL GRIDS

 

X-5.2

MIRROR SYSTEMS INHABIT  THE

SPATIAL DISTORTIONS AND COMPRESSIONS

OF  THE MELBOURNE COMPLEX

 

THEY CONCEAL POSTHUMOUS EXPLANATIONS

 

THEY ARE CANONS

 

X-6.1

X IS  THE SOCIAL

EQUIVALENT OF

THE MELBOURNE COMPLEX

 

X-6.2

X IS  THE EMANCIPATION

THAT DOES NOT

ROMANTICISE DEPOPULATION

 

X-6.3

X IS A SYSTEM

OF SIMULTANEOUS ARRIVALS

 

X-6.4

X IS AN INTERMIXTURE

MAGNIFIED WITH SYNTHETIC LIGHT

 

X-7.1

MLADEN KAUZLARIC

ZDENKO STRIZIC

ZLATKO NEUMANN

SLAVKO LOWY

SYNTHETIC LIGHT

2SL-1.1

THE MELBOURNE COMPLEX IS

ABANDONING A SURPLUS OF

DEMOCRATICALLY AVAILABLE NATURAL LIGHT

 

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL BY-PRODUCT

OF NATURAL LIGHT

 

THE MELBOURNE COMPLEX IS

A CHIAROSCURO GLITZ

 

2SL-1.2

NATURAL LIGHT IS EXITING IN

CHRONIC PARENTHESES OF REFRACTION

AND REFLECTION WITHOUT CONTROLS

 

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL BY-PRODUCT

OF NATURAL LIGHT

 

2SL-2.1

NATURAL LIGHT IS A SCARCITY

IDENTIFIED BY ELABORATE DETOURS

AND DERIVATIVE FRAGMENTS

 

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL BY-PRODUCT

OF NATURAL LIGHT

 

2SL-2.2

NATURAL LIGHT IS BEING RE-CONSTITUTED

AS MICROCOSMS/ INDEXES/ ARCHIPELAGOES/

MACHINES/ APHORISMS

 

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL BY-PRODUCT

OF NATURAL LIGHT

 

2SL-3.1

NATURAL LIGHT IS BEING

IRREVERSIBLY REMOVED FROM

ITS SOURCE

 

2SL-2.2

THE MELBOURNE COMPLEX IS

APPROACHING A SYNTHETIC LIGHT

ADMINISTERED RANDOMLY AND GRATUITOUSLY

 

2SL-3.2

THE MELBOURNE COMPLEX IS

PROCEEDING TOWARDS AN INFINITESIMAL

AND BAROQUE SYNTHETIC LIGHT

 

THE MELBOURNE COMPLEX IS

COMMENCING IN SYNTHETIC LIGHT

 

2SL-3.3

SYNTHETIC LIGHT  IS

NOT A METHOD

 

THESE ARE NOT

LABORATORY CONDITIONS

 

STELLAR THOUGHT

 

MIRROR SYSTEMS

THAT REFLECT

THE IMAGE

OF

YOU

WHICH YOU DID NOT

COMPOSE

INTERSTITIAL GARDENS

3IG-1.1

INTERSTITIAL GARDENS ARE

REINTRODUCING ORGANIC PHENOMENA IN

INCREMENTAL AND ACCUMULATIVE QUANTITIES

 

3IG-1.2

AT SUB-ANTHROPOMORPHIC SCALES

INTERSTITIAL GARDENS ARE AN

EXPONENTIAL AND DIABOLICAL ANARCHY

 

THERE IS NO INTEGRATION

 

THERE ARE NO DRAWINGS

 

3IG-2.1

INTERSTITIAL GARDENS ARE

CONSUMING THE MELBOURNE COMPLEX

 

3IG-2.2

INTERSTITIAL GARDENS ARE MULTIPLYING

BEYOND CORPOREALITY/ ARTIFICE/

CAPITAL/ CIVILITY

 

INTERSTITIAL GARDENS ARE PLURALISING

AND MORE THAN 

HUMANISING SIMULTANEOUSLY

 

3IG-2.3

INTERSTITIAL GARDENS ARE

DISCOVERED AND OCCUPIED BY

SUSPENDING OUR MORAL AUTHORITIES

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE 

 

3IG-3.1

WITHOUT ANTHROPOMORPHIC

DIMENSIONS WATER CONSTITUTES

IRREPRESSIBLE INTERSTITIAL GARDENS

 

3IG-3.2

MIRROR SYSTEMS DEPLOY THE

SATURATION CAPACITIES AND MALLEABILITY

OF INTERSTITIAL GARDENS

 

3IG-3.3

MIRROR SYSTEMS IMAGINE

INTERSTITIAL GARDENS OF LIQUID

AND UBIQUITOUS SENSUALITY

 

3IG-3.4

MIRROR SYSTEMS POSSESS  THE

MASTERY OF BATHING INTERSTITIAL

GARDENS IN SUPREME LOGIC

 

3IG-3.5

THE MELBOURNE COMPLEX IS

AN ABSTRACTION OF THE

VENICE/ SYDNEY COMPOSITE

 

INTERSTITIAL GARDENS ARE  THE

SPECTACLE OF DALMACIJA

 

3IG-4.1

BY INTRODUCING SIMULACRA INTERSTITIAL

GARDENS IMBUE  THE

MELBOURNE COMPLEX WITH

IMAGINARY VERDANT OPULENCE

 

THERE ARE NO RESTRAINTS

TO THE REPRODUCTIVITY OF

VENEERS/ PAINTS/ MIRRORS/

CHROMES/ POLISHES/ FILMS

 

PETRIFACTIONS HAVE

NO MATERIAL DEPTH

 

IMAGES ARE A FORM

OF VAPOROUS TRANSMISSION

 

INTERSTITIAL GARDENS RELIVE

THESE MOMENTS REPEATEDLY

 

3IG-4.2

MIRROR SYSTEMS DISTRIBUTE

GENERATIVE IMAGERY  THAT HAVE

NO ARCHITECTURAL DIMENSIONS

 

INTERSTITIAL GARDENS POSSESSES A

DECORATIVE MULTIPLICATION  THAT

GESTURE  TOWARDS ABSOLUTE  TRANSFIGURATION

TOTAL DEMATERIALISATION

4TD-1.1

THE CONSOLIDATION OF

THE MELBOURNE COMPLEX IS

AN EPIDEMIC OF DETRITUS

 

4TD-1.2

CREATIVITY IS NOISE

 

4TD-1.3

THERE IS NOTHING

TO BE ACCLAIMED

 

4TD-1.4

THE MELBOURNE COMPLEX IS

NOT WARPED BY

ARCHITECTURAL RESISTANCE

 

ARCHITECTURE AS A VALID

MATERIAL ENTITY IS

A MISUNDERSTANDING

 

4TD-1.5

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A  TOTAL DEMATERIALISATION

 

4TD-2.1

TOTAL DEMATERIALISATION DOES

NOT DISPORT ORIGINALITY

WITH INCONTESTABLE RHETORIC

 

4TD-2.2

TOTAL DEMATERIALISATION  IS  THE

COMPREHENSIVE DISARTICULATION OF ARCHITECTURE

 

4TD-2.3

TOTAL DEMATERIALISATION IS  THE

EXERCISING OF TRANSPARENCY/VOIDS/

REFLECTIVITY IN INDECIPHERABLE COMBINATIONS

 

TOTAL DEMATERIALISATION IS  THE

EDIFICATION OF RESTLESSNESS

 

4TD-2.4

TOTAL DEMATERIALISATION IS

ALEATORY AND NEGATIVE

 

4TD-2.5

TOTAL DEMATERIALISATION IS

THE INVERSE REHABILITATION

OF ARCHITECTURE

 

4TD-2.6

TOTAL DEMATERIALISATION IS

NOT A DESCRIPTION OF

ATTAINABLE  THINGS

 

TOTAL DEMATERIALISATION IS A

FORM OF LUCID MEMORY

 

4TD-2.7

TOTAL DEMATERIALISATION IS

AN IDEAL WITH NO EVIDENCE

 

THE MELBOURNE COMPLEX IS

THE EPICENTRE OF DISAPPEARANCES

 

4TD-2.8

TOTAL DEMATERIALISATION IS MAKING

COMPARISONS WITH MISSING THINGS

 

WORDS ARE MINERALS

 

4TD-3.1

SHADOWS ARE ANTI-MATTER

 

4TD-3.2

BLACK IS A FORM

OF NEGATION

 

4TD-3.3

BY SUBDUING LIGHT  THE

SUPERIMPOSITION OF DIFFERENT DARKNESSES

BECOMES ORCHESTRATED ANARCHY

 

4TD-3.4

GENIUS IS A DIMINISHING LIGHT

 

TOTAL DEMATERIALISATION IS  THE

AFTERMATH OF SIMULTANEOUS BREVITY

 

4TD-3.5

TOTAL DEMATERIALISATION DISCHARGES

EXPERIENCES WITHOUT AXES

 

THE MELBOURNE COMPLEX IS

PIONEERING COMMUNICATION BETWEEN

SCATTERED FRAGMENTS

 

TOTAL DEMATERIALISATION IS

THE ADVENT OF NETWORKED

BLACK  TABULA RASAS

 

4TD-3.6

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE


BETA EXCAVATIONS

5BEX-1.1

BETA EXCAVATIONS OF

THE MELBOURNE COMPLEX ARE

DELIVERING LIVE HABITATS

 

5BEX-1.2

BETA EXCAVATIONS ARE CREATING

POROSITIES AND NEGATIVITIES

 

5BEX-1.3

BETA EXCAVATIONS ARE

ACOUSTIC AND  THERMAL MICROCOSMS

 

BETA EXCAVATIONS ARE VENTILATING

AND ILLUMINATING WITH WELL/

SHAFT COMBINATIONS

 

5BEX-1.4

THE SUBTERRANEAN MELBOURNE

COMPLEX IS A PERVERSE

TOPOGRAPHY

 

BETA EXCAVATIONS ARE

THE REINVENTION OF  THE

MELBOURNE COMPLEX WITHOUT VISION

 

5BEX-2.1

THE VOIDS OF BETA EXCAVATIONS

LAUNCH SHOCK AUTONOMIES

 

5BEX-2.2

BETA EXCAVATIONS ARE  THE

OVERDUE REWINDING OF ARCHITECTURE

 

5BEX-2.3

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A PERENNIAL TRANSGRESSION BETA

EXCAVATIONS ARE A REVERSAL

 

5BEX-2.4

BETA EXCAVATIONS ARE AN

INVERTED AND BACKWARDS  TRAJECTORY

 

5BEX-2.5

BETA EXCAVATIONS ERASE

AND FORGET

 

BETA EXCAVATIONS DO NOT

CONSTITUTE ADDITIONS AND

EMBELLISHMENTS

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU WHICH

YOU DID NOT COMPOSE

 

5BEX-2.6

BETA EXCAVATIONS REPRESENT

A SUB-SURFACE CIVILITY

MIRROR SYSTEMS CHART

RECIPROCAL SUBMERGED FLIGHT

 

5BEX-3.1

THEBETA EXCAVATIONS OF

THE MELBOURNE COMPLEX

CONSIST OF WATER/

INTERSTITIAL GARDENS/ MIRRORS

 

5BEX-3.2

BETA EXCAVATIONS ARE FOUND

VOIDS MEDIATED WITH EPHEMERA

AND MORE THAN

HUMAN FLORA

 

5BEX-3.3

BETA EXCAVATIONS ARE

METHODICALLY DOCUMENTING

A PRODIGIOUS SUB-ARTIFICE

 

THE MELBOURNE COMPLEX

IS LOST

 

5BEX-3.4

BETA EXCAVATIONS ARE  THE

INDIGENOUS MICRO-ARCHITECTURE INSIDE

THE MELBOURNE COMPLEX


INSTANT ARCHEOLOGIES

6IA-1.1

INSTANT ARCHEOLOGIES ARE

REOCCURRING LOST MOMENTS

 

UNSPECTACULAR AMBIANCES ARE

ENDANGERED BY DISENCHANTED  TRANSFORMATIONS

 

6IA-1.2

THE MELBOURNE COMPLEX IS

SIMULTANEOUSLY BLURRING AND ADVANCING

 

6IA-1.3

INSTANT ARCHEOLOGIES ARE

A RAPID NOSTALGIA

 

INSTANT ARCHEOLOGIES ARE  THE

ZEAL OF ABBREVIATED FAREWELLS

 

MIRROR SYSTEMS COMMEMORATE AND

HISTORICISE INDISCRIMINATELY AT

MERCILESS SPEEDS

 

6IA-2.1

PERPETUAL DISTURBANCES

DEPOSIT AN ACQUIRED

AND PROVISIONAL INVENTORY

 

THERE ARE  TRANSIENT LEGENDS

IN THE DISPOSABILITY

OF  THE MELBOURNE COMPLEX

 

6IA-2.2

INSTANT ARCHEOLOGIES ARE

EPISTEMOLOGICALLY INDETERMINATE

 

6IA-2.3

INSTANT ARCHEOLOGIES ARE

THE FORMATION OF AN

EXEMPLARY BANALITY

 

INSTANT ARCHEOLOGIES ARE

THE DOMAIN OF VIRAL FOLLIES

AND INDISCRIMINATE SPOLIA

 

6IA-2.4

INSTANT ARCHEOLOGIESARE  THE

MEGALOPOLIS OF RUINS

 

6IA-3.1

THE MELBOURNE COMPLEX IS

A SUPERIMPOSITION OF

INSTANT ARCHEOLOGIES

 

6IA-3.2

BETA EXCAVATIONS EXPOSE

THE STRATA AND INTERNAL

ENIGMAS OF URBAN ACCUMULATION

 

6IA-3.3

TOTAL DEMATERIALISATIONIS  THE

VACUUM THAT RAREFIES MISCELLANY

 

MIRROR SYSTEMS THAT REFLECT THE IMAGE

OF YOU WHICH YOU DID

NOT COMPOSE

 

6IA-3.4

THE MELBOURNE COMPLEX

IS A RECORD

OF ITS OWN EVACUATION

NAMELESS EXTERIORS

7NEX-1.1

MIRROR SYSTEMS SUBSTITUTE JUNK

CREATIVITY WITH NAMELESS EXTERIORS

 

NAMELESS EXTERIORS WILL DELIVER

THE INDETERMINACIES OF  THE

MELBOURNE COMPLEX INTO RELIEF

 

NAMELESS EXTERIORS DO NOT

ATTEMPT  TO RECREATE  THE

THE MELBOURNE COMPLEX WITH

CREATIVE ICONS

 

THEY ARE ALL INANIMATE

 

7NEX-2.1

THE MELBOURNE COMPLEX

IS INCIDENTALLY CHAOTIC

 

ITS SUBSTANCE IS BAROQUE

 

COMPLEXITY CAN NOT

BE REPRESENTED

 

7NEX-2.2

MIRROR SYSTEMS ARE RETROACTIVE

 

NAMELESS EXTERIORS ARE NOT

A CIVIC DECLARATION

IN ACTION

 

7NEX-2.3

NAMELESS EXTERIORS ARE A

MEDIATION WITHOUT FOCUS

 

NAMELESS EXTERIORS ARE A

CONTRAPUNTAL SYMPHONY IN EXILE

 

NAMELESS EXTERIORS ARE A

DISCONNECTED REVOLUTION

 

7NEX-2.4

NAMELESS EXTERIORS ARE WHEN

ARCHITECTURE LOSES

ITS IDENTITY

 

NAMELESS EXTERIORS ARE

A PANORAMIC BLUR

 

THE MELBOURNE COMPLEX IS

PLAYING WITH MANY FORCES

OF DILUTION

 

NAMELESS EXTERIORS ARE

A DIMINISHING RELATIVITY

 

7NEX-3.1

MIRROR SYSTEMS REPLACE ARCHITECTURAL

INTERFERENCE WITH NAMELESS EXTERIORS

 

7NEX-3.2

X IS THE QUANTITIVE

TRANSGRESSION OF MEASUREMENT

AND CONTROL

 

7NEX-3.3

NAMELESS EXTERIORS

 

MIRROR SYSTEMS

THAT REFLECT THE IMAGE

OF YOU WHICH YOU

DID NOT COMPOSE

 

TOTAL DEMATERIALISATION IS

WHEN MATERIALITY AND EXPRESSION

ARE ANTI-GRAVITATIONAL

 

7NEX-4.1

NAMELESS EXTERIORS ARE DEVELOPED

IN NEUTRAL VACUUMS

 

NAMELESS EXTERIORS ARE COLLECTIVELY

EVADING ATTRIBUTABLE QUALITIES

 

NAMELESS EXTERIORS ARE

THE CHOREOGRAPHED DISAPPEARANCE

OF QUALITIES OUTSIDE PROGRESS

 

7NEX-4.2

NAMELESS EXTERIORS ARE NOT

A CLASSIFIED ERA

 

NAMELESS EXTERIORS CONSOLIDATE NORMS

WITHOUT TELEOLOGY

 

7NEX-4.3

NAMELESS EXTERIORS CONSTITUTE

THE LATE PUBLIC

 

NAMELESS EXTERIORS REPRESENT

A NON ALIGNMENT BETWEEN

ARTIFICE AND ITS PUBLIC

DEPROGRAMMING

8DP-1.1

DEPROGRAMMING IS  THE

INTRODUCTION OF INDETERMINATE

AND IRRECONCILABLE ARENAS

 

8DP-1.2

AUTHENTIC VOIDS HAVE

A PERMANENT FUTILITY

 

8DP-2.1

DEPROGRAMMING IS  THE CESSATION

OF ARCHITECTURAL ENCLOSURE AND

THE ABOLITION OF PRIVACY

 

DEPROGRAMMING IS CUTTING/

ERASING/ SUSPENDING/ BREAKING/ INCLINING

 

8DP-2.2

THE MELBOURNE COMPLEX

IS UNPLANNED

 

THE MELBOURNE COMPLEX

IS NOT A PLACE

 

THE MELBOURNE COMPLEX

IS INCLINING

 

8DP-3.1

DEPROGRAMMING EQUATES

WITH INSTANT ARCHEOLOGIES

 

DEPROGRAMMING IS REVERSING/

EXPOSING/ ABANDONING

 

DEPROGRAMMING IS PETRIFACTION

 

8DP-3.2

NOTHING WORKS

 

8DP-4.1

DEPROGRAMMING CORRESPONDS WITH  THE

CESSATION OF ARCHITECTURAL PROFESSIONALISM

 

8DP-4.2

DEPROGRAMMING IS FORGETTING

INSTEAD OF LEARNING

 

8DP-5.1

DEPROGRAMMING IS NOT A

WARM SYNCHRONISATION WITH

TERRITORIAL CERTAINTIES

 

8DP-5.2

DEPROGRAMMING IS MIXING

SPECTRUMS OF APPOSITE SPEEDS

 

DEPROGRAMMING IS THE

RELIEF OF SPEED

 

THE MELBOURNE COMPLEX EXISTS

AT BAROQUE SPEEDS

 

8DP-5.3

DEPROGRAMMING OPERATES AT

NON  TERRESTRIAL SPEEDS

 

LIGHT SHARES AN EQUAL

VELOCITY WITH DARK

 

DEPROGRAMMING IS NOT

THE  THEMATISATION OF DIFFERENCES

 

8DP-5.4

THE MELBOURNE COMPLEX IS

NOT INTEGRATED

 

8DP-5.5

DEPROGRAMMING

IS A SERENE HOLIDAY

 

8DP-6.1

DEPROGRAMMING IS  THE LOGIC

OF PERVASIVE INTERSTITIAL GARDENS

 

8DP-6.2

DEPROGRAMMING IS MORE

THAN HUMAN

 

THE MELBOURNE COMPLEX

IS UNINHABITED

 

8DP-7.1

DEPROGRAMMING ABANDONS DESIGNATED

PURPOSES WITH MONOTONOUS REPETITION

 

DEPROGRAMMING IS  THE

ABSENCE OF COMMAND

 

8DP-7.2

DEPROGRAMMING IS THE  TRANSITION

FROM RANKING PRIORITIES TO

INTERMINABLE IRRATIONAL SEQUENCES

 

8DP-7.3

DEPROGRAMMING IS COLD

AND PRIMITIVE

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE

SPECIAL MEMBRANES

9SM-1.1

SPECIAL MEMBRANES CONSTITUTE

ARCHITECTURAL FILTERS CALIBRATED

BY DEPTH AND ATTENUATION

 

IS THERE IS AN

ELASTICITY BETWEEN PUBLIC

AND PRIVATE BEHAVIOUR

 

HOW FAR CAN SOMEONE

DISAPPEAR AND THEN RE-EMERGE

IN  THE MELBOURNE COMPLEX

 

9SM-1.2

SPECIAL MEMBRANES CONSTITUTE

DELAYS AND IMMERSIONS IN

THE MELBOURNE COMPLEX

 

SPECIAL MEMBRANES CONSUME THE

MELBOURNE COMPLEX WITH MANNERISMS

 

9SM-1.3

MIRROR SYSTEMS STROLL

BETWEEN REGIONS

 

MIRROR SYSTEMS DISCOVER  TRANS-

CONTINENTAL SOLUTIONS AND APPLY

THEM  TO FAMILIAR ROUTINES

 

MIRROR SYSTEMS THAT REFLECT THE IMAGE OF YOU WHICH YOU DID NOT COMPOSE

 

SPECIAL MEMBRANES ARE  THE

ARCANE DELICACIES OF DOORS/

CURTAINS/ THRESHOLDS/ SCREENS/ HINGES/

HANDLES/ARCHITRAVES RELOCATED TO

THE MYRIAD OF INTERSECTIONS

IN  THE MELBOURNE COMPLEX 

 

9SM-2.1

THE NEBULOUS MELBOURNE COMPLEX

IS RELAYED BETWEEN THE

LOS ANGELES GERM / THE

HONG KONG GERM/ THE

LONDON GERM/ THE

BERLIN GERM

 

THE MATURATION OF

THE MELBOURNE COMPLEX

IS IN  TRANSITS

 

9SM-2.2

DISPLAY WINDOWS/ VESTIBULES/ WARDROBES/

ANTECHAMBERS/ FOYERS/ ATRIUMS ARE

THE VESSELS  THAT PROVE

THE MELBOURNE COMPLEX

IS NEVER ENTIRELY PRESENT

 

9SM-2.3

THE MELBOURNE COMPLEX IS

NOT COMPLETELY HERE

 

THE MELBOURNE COMPLEX IS

PARTIALLY MISSING

 

THE MELBOURNE COMPLEX IS

A STYLE OF TRANSPORT

 

9SM-2.4

SPECIAL MEMBRANES ARE A

FORM OF UNDOCUMENTED BREVITY

 

SPECIAL MEMBRANES ARE  THE

RECORDINGS OF ACCIDENTAL INFORMATION

 

9SM-3.1

TEMPERATURES/ COLOURS/ REFLECTIVITY

ARE  THE MUTABLE  TERMS

OF SPECIAL MEMBRANES

IN  TRANSIT

 

9SM-4.1

FROM THE PROGENY OF

THE DIASPORA  TO  THE

SUPREMATIST COSMOS FLICKERING

GRANULAR ANARCHY

 

9SM-5.1

MIRROR SYSTEMS ARE SUMMER

SUNLIGHT REFRACTING SPONTANEOUSLY

INTO THE DEEP SEA

 

MIRROR SYSTEMS  TRAVEL

FROM ONE PLACE  TO

ANOTHER ACROSS A MEDIUM

OF FINE RESISTANCE

 

MIRROR SYSTEMS BALANCE

BETWEEN UNINHABITED AND

UNEARTHLY ISLANDS AT NOON TIDE

 

9SM-6.1

MIRROR SYSTEMS ARE A LUXURIOUS

TRANSCONTINENTAL JET  TRAJECTORY

 

MIRROR SYSTEMS ARE

IN  THE SPACE OF

TRANSPORTED SLUMBER

SAY UNBIND

 

MIRROR SYSTEMS INTERSECT

AT GREAT SPEED

SAY LOKSKOOIDGIIF