SERVICES

S1.1

MIRROR SYSTEMS IS A PROFESSIONAL

ARCHITECTURAL PRACTICE

 

MIRROR SYSTEMS IS BASED

IN THE MELBOURNE COMPLEX

 

S1.2

THE NAME MIRRORS SYSTEMS

ORIGINATES FROM THE JEAN

GENET NOVEL MIRACLE OF

THE ROSE WHICH DISCOVERS

 

MIRROR SYSTEMS

THAT REFLECT THE IMAGE OF

YOU WHICH YOU

DID NOT COMPOSE

 

S1.3

MIRROR SYSTEMS CULTIVATE

EXPERTISE SPECIFIC TO THE

DENSIFICATION OF THE

MELBOURNE COMPLEX

 

THE DENSIFICATION OF THE

MELBOURNE COMPLEX IS EXPRESSED

IN SPATIAL COMPRESSIONS

AND DISTORTIONS

 

THE PLATITUDES OF ARCHITECTURE

ARE EXHAUSTED

 

S2.1

THE FOUNDER AND

DIRECTOR OF MIRROR

SYSTEMS IS JOHN BRALIC

 

S2.2

THE ARCHITECTURE OF THE

MELBOURNE COMPLEX

IS IN DISEQUILIBRIUM

 

THERE ARE NO

DOMINANT AUTHORITIES

 

MIRROR SYSTEMS DISAGGREGATE

OBSOLETE ARCHITECTURAL METHODS

 

MIRROR SYSTEMS GENERATE

PROLIFIC DIDACTIC EXPERTISE

 

SUCH AS

 

X

 

SYNTHETIC LIGHT

 

INTERSTITIAL GARDENS

 

TOTAL DEMATERIALISATION

 

BETA EXCAVATIONS

 

INSTANT ARCHEOLOGIES

 

NAMELESS EXTERIORS

 

DEPROGRAMMING

 

SPECIAL MEMBRANES

 

S3.1

MIRROR SYSTEMS CONCEIVE

SERVICES AND LANGUAGE FOR

THE ARCHITECTURE OF THE

MELBOURNE COMPLEX

 

S3.2

THE ACQUISITION OF NEW

KNOWLEDGE WARRANTS

CERTIFICATION BOTH

UNORTHODOX AND SUBLIME

 

S4.1

MIRROR SYSTEMS PROJECTS ARE

IN PREPARATION FOR AND

UNDER CONSTRUCTION IN

 

WINDSOR

 

SOUTH YARRA

 

FOOTSCRAY

 

SPOTSWOOD

 

NORTHCOTE

 

CREMORNE

 

NORTH MELBOURNE

COSMOPOLITAN FUSIONS

0MS-01.1

THE MELBOURNE COMPLEX

IS AN ADMISSION

OF COSMOPOLITAN FUSIONS

 

0MS-01.2

MIRROR SYSTEMS ARE IMPERVIOUS

TO TERRITORIAL DOMESTICATION

 

0MS-01.3

TERRITORIAL DOMESTICATION IS

NOT SUITED TO PROVIDING

THE VISION AND SERVICES

OF THE MELBOURNE COMPLEX

 

0MS-03.1

COSMOPOLITAN FUSIONS

ARE NOT COMPATIBLE WITH

TERRITORIAL DOMESTICATION

 

COSMOPOLITAN FUSIONS HAVE

DIFFERENT ORDERS OF ENGAGEMENT

THAN THE PLACES AND COMMUNITIES

OF TERRITORIAL DOMESTICATION

 

0MS-03.2

THE TRANSIENCE OF COSMOPOLITAN

FUSIONS ARE SPECIFIC  TO

THE MELBOURNE COMPLEX

 

0MS-04.1

MIRROR SYSTEMS OPERATE

AT A SPECIAL NEXUS

OF ARCHITECTURE AND

COSMOPOLITAN FUSIONS

 

0MS-04.2

MIRROR SYSTEMS AUTHORISE

PEDIGREES OF COSMOPOLITAN

FUSIONS IN THE

MELBOURNE COMPLEX

 

0MS-05.1

MIRROR SYSTEMS UNIVERSALISE

COSMOPOLITAN FUSIONS SPECIFIC

TO THE MELBOURNE COMPLEX

 

0MS-05.2

MIRROR SYSTEMS DO NOT

RECALIBRATE IMAGES OF

THE MELBOURNE COMPLEX FOR

TERRITORIAL DOMESTICATION

 

0MS-05.3

MIRROR SYSTEMS AUTHENTICATE

COSMOPOLITAN FUSIONS THAT

EXTRAPOLATE THE

MELBOURNE COMPLEX

THE MELBOURNE COMPLEX IS NEBULOUS

00MS-01.1

THE ARCHITECTURE OF THE

MELBOURNE COMPLEX IS AN

IMPERSONAL ARTIFICE POPULATED

WITH UNIDENTIFIED AND

INDEPENDENT ACTORS

 

THE CONNECTION BETWEEN 

THE TWO REQUIRES REJECTION

OF REASSURING TERRITORIAL

DOMESTICATION

 

THE MELBOURNE COMPLEX

IS NEBULOUS

 

00MS-01.2

MIRROR SYSTEMS ARE A

FORM OF PRODUCTIVITY

WITHOUT PROTAGONISTS

 

MIRROR SYSTEMS DO

NOT PARTICIPATE IN

TERRITORIAL DOMESTICATION

 

MIRROR SYSTEMS ARE NOT

AWARD WINNERS

 

00MS-02.1

MIRROR SYSTEMS PRODUCTIVITY

IS A DISUNITED ANONYMITY

 

THE MELBOURNE COMPLEX

IS NEBULOUS

 

00MS-02.2

MIRROR SYSTEMS ARE ENUMERATIVE/

PROFESSIONAL/ INDEPENDENT

 

THE MELBOURNE COMPLEX

IS NEBULOUS

X

X-1.1

X MEANS MULTIPLICATION

BEYOND RUDIMENTARY ADDITION

AND SUMMATION

 

X-1.2

X CONTAINS POWERS

OF AGGREGATION WITH

ASCENDING MAGNITUDE

 

X-1.3

X IS THE POWER

OF  THE MELBOURNE COMPLEX

TO DISASSEMBLE LIMITS

 

X-1.4

X CONSISTS OF SURPLUS

NORMATIVE FACADES WITH

SATURATED BAROQUE INTERIORS

 

X-2.1

THE MELBOURNE COMPLEX

IS RE-ORGANISING DAILY

 

THIS IS NOT THE TIME

FOR PARANOID SOLUTIONS

 

X-2.2

MIRROR SYSTEMS SUBDIVIDES

THOUGHT AS A

DWELLING STYLE

 

X-2.3

THE MELBOURNE COMPLEX

IS THE ADVENT OF

INTERNALISED DIASPORAS

 

X-3.1

THE INTENSITY OF

THE MELBOURNE COMPLEX

IS NOT LOCAL

 

THE HISTORY OF

THE MELBOURNE COMPLEX

IS NOT LOCAL

 

X-3.2

THE MELBOURNE COMPLEX IS

NOT A FABULOUS SANCTUARY

 

THE MELBOURNE COMPLEX IS

NOT IN YOUR NEIGHBOURHOOD

 

X-3.3

PLURAL MELBOURNE CONTEXTS

ARE THE MIRROR SYSTEMS

THAT REFLECT  THE IMAGE

OF YOU WHICH YOU

DID NOT COMPOSE

 

X-4.1

THE MELBOURNE COMPLEX

IS NORMALISING

GROSS IMPORTATIONS

 

THERE ARE NO HOMES

IN THE MELBOURNE COMPLEX

 

X-4.2

THE HISTORY OF  THE

MELBOURNE COMPLEX

IS RESTARTING

 

THE MELBOURNE COMPLEX

HAS A NEGATIVE IMBALANCE

 

X-5.1

ARCHITECTURE IS NOT

AN ORGANISED DEMARCATION

OF DESIGNATED SPACES

 

THE MELBOURNE COMPLEX

IS PROJECTING UNSPECIFIED

PALIMPSESTS ONTO

MANUAL GRIDS

 

X-5.2

MIRROR SYSTEMS INHABIT THE

SPATIAL DISTORTIONS AND

COMPRESSIONS OF THE

MELBOURNE COMPLEX

 

THEY CONCEAL

POSTHUMOUS EXPLANATIONS

 

THEY ARE CANONS

 

X-6.1

X IS  THE SOCIAL

EQUIVALENT OF

THE MELBOURNE COMPLEX

 

X-6.2

X IS  THE EMANCIPATION

THAT DOES NOT

ROMANTICISE DEPOPULATION

 

X-6.3

X IS A SYSTEM

OF SIMULTANEOUS ARRIVALS

 

X-6.4

X IS AN INTERMIXTURE

MAGNIFIED WITH

SYNTHETIC LIGHT

 

X-7.1

MLADEN KAUZLARIC

ZDENKO STRIZIC

ZLATKO NEUMANN

SLAVKO LOWY

SYNTHETIC LIGHT

2SL-1.1

THE MELBOURNE COMPLEX IS

ABANDONING A SURPLUS OF

DEMOCRATICALLY AVAILABLE

NATURAL LIGHT

 

SYNTHETIC LIGHT IS A

RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

 

THE MELBOURNE COMPLEX IS

A CHIAROSCURO GLITZ

 

2SL-1.2

NATURAL LIGHT IS EXITING

IN CHRONIC PARENTHESES OF

REFRACTION AND REFLECTION

WITHOUT CONTROLS

 

SYNTHETIC LIGHT IS

RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

 

2SL-2.1

NATURAL LIGHT IS A SCARCITY

IDENTIFIED BY ELABORATE

DETOURS AND

DERIVATIVE FRAGMENTS

 

SYNTHETIC LIGHT IS

RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

 

2SL-2.2

NATURAL LIGHT IS BEING

RE-CONSTITUTED AS

MICROCOSMS/ INDEXES/

ARCHIPELAGOES/ MACHINES/

APHORISMS

 

SYNTHETIC LIGHT IS

RESIDUAL COMBINATORIAL

BY-PRODUCT OF

NATURAL LIGHT

 

2SL-3.1

NATURAL LIGHT IS BEING

IRREVERSIBLY REMOVED

FROM ITS SOURCE

 

2SL-2.2

THE MELBOURNE COMPLEX

IS APPROACHING A

SYNTHETIC LIGHT ADMINISTERED

RANDOMLY AND GRATUITOUSLY

 

2SL-3.2

THE MELBOURNE COMPLEX IS

PROCEEDING TOWARDS AN

INFINITESIMAL AND BAROQUE

SYNTHETIC LIGHT

 

THE MELBOURNE COMPLEX

IS COMMENCING IN

SYNTHETIC LIGHT

 

2SL-3.3

SYNTHETIC LIGHT IS

NOT A METHOD

 

THESE ARE NOT

LABORATORY CONDITIONS

 

STELLAR THOUGHT

 

MIRROR SYSTEMS

THAT REFLECT

THE IMAGE

OF

YOU

WHICH YOU DID NOT

COMPOSE

INTERSTITIAL GARDENS

3IG-1.1

INTERSTITIAL GARDENS ARE

REINTRODUCING ORGANIC

PHENOMENA IN INCREMENTAL

AND ACCUMULATIVE QUANTITIES

 

3IG-1.2

AT SUB-ANTHROPOMORPHIC

SCALES INTERSTITIAL GARDENS

ARE AN EXPONENTIAL

AND DIABOLICAL ANARCHY

 

THERE IS NO INTEGRATION

 

THERE ARE NO DRAWINGS

 

3IG-2.1

INTERSTITIAL GARDENS ARE

CONSUMING THE

MELBOURNE COMPLEX

 

3IG-2.2

INTERSTITIAL GARDENS ARE

MULTIPLYING BEYOND

CORPOREALITY/ ARTIFICE/

CAPITAL/ CIVILITY

 

INTERSTITIAL GARDENS ARE

PLURALISING AND EXTRA

HUMANISING SIMULTANEOUSLY

 

3IG-2.3

INTERSTITIAL GARDENS ARE

DISCOVERED AND OCCUPIED

BY SUSPENDING OUR

MORAL AUTHORITIES

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE 

 

3IG-3.1

WITHOUT ANTHROPOMORPHIC

DIMENSIONS WATER

CONSTITUTES IRREPRESSIBLE

INTERSTITIAL GARDENS

 

3IG-3.2

MIRROR SYSTEMS DEPLOY THE

SATURATION CAPACITIES AND

MALLEABILITY OF

INTERSTITIAL GARDENS

 

3IG-3.3

MIRROR SYSTEMS IMAGINE

INTERSTITIAL GARDENS OF

LIQUID AND

UBIQUITOUS SENSUALITY

 

3IG-3.4

MIRROR SYSTEMS POSSESS

THE MASTERY OF BATHING

INTERSTITIAL GARDENS

IN SUPREME LOGIC

 

3IG-3.5

THE MELBOURNE COMPLEX IS

AN ABSTRACTION OF THE

VENICE/ SYDNEY COMPOSITE

 

INTERSTITIAL GARDENS ARE  THE

SPECTACLE OF DALMACIJA

 

3IG-4.1

BY INTRODUCING SIMULACRA

INTERSTITIAL GARDENS IMBUE

THE MELBOURNE COMPLEX WITH

IMAGINARY VERDANT OPULENCE

 

THERE ARE NO RESTRAINTS

TO THE REPRODUCTIVITY OF

VENEERS/ PAINTS/ MIRRORS/

CHROMES/ POLISHES/ FILMS

 

PETRIFACTIONS HAVE

NO MATERIAL DEPTH

 

IMAGES ARE A FORM

OF VAPOROUS TRANSMISSION

 

INTERSTITIAL GARDENS RELIVE

THESE MOMENTS REPEATEDLY

 

3IG-4.2

MIRROR SYSTEMS DISTRIBUTE

GENERATIVE IMAGERY THAT HAVE

NO ARCHITECTURAL DIMENSIONS

 

INTERSTITIAL GARDENS

POSSESSES DECORATIVE

MULTIPLICATION THAT GESTURE

TOWARDS ABSOLUTE

TRANSFIGURATION

TOTAL DEMATERIALISATION

4TD-1.1

THE CONSOLIDATION OF

THE MELBOURNE COMPLEX IS

AN EPIDEMIC OF DETRITUS

 

4TD-1.2

CREATIVITY IS NOISE

 

4TD-1.3

THERE IS NOTHING

TO BE ACCLAIMED

 

4TD-1.4

THE MELBOURNE COMPLEX

IS NOT WARPED BY

ARCHITECTURAL RESISTANCE

 

ARCHITECTURE AS A VALID

MATERIAL ENTITY IS

A MISUNDERSTANDING

 

4TD-1.5

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A TOTAL DEMATERIALISATION

 

4TD-2.1

TOTAL DEMATERIALISATION

DOES NOT DISPORT ORIGINALITY

WITH INCONTESTABLE RHETORIC

 

4TD-2.2

TOTAL DEMATERIALISATION IS

THE COMPREHENSIVE

DISARTICULATION OF

ARCHITECTURE

 

4TD-2.3

TOTAL DEMATERIALISATION IS

THE EXERCISING OF

TRANSPARENCY/ VOIDS

REFLECTIVITY IN

INDECIPHERABLE COMBINATIONS

 

TOTAL DEMATERIALISATION IS

THE EDIFICATION

OF RESTLESSNESS

 

4TD-2.4

TOTAL DEMATERIALISATION IS

ALEATORY AND NEGATIVE

 

4TD-2.5

TOTAL DEMATERIALISATION IS

THE INVERSE REHABILITATION

OF ARCHITECTURE

 

4TD-2.6

TOTAL DEMATERIALISATION IS

NOT A DESCRIPTION OF

ATTAINABLE  THINGS

 

TOTAL DEMATERIALISATION IS A

FORM OF LUCID MEMORY

 

4TD-2.7

TOTAL DEMATERIALISATION IS

AN IDEAL WITH NO EVIDENCE

 

THE MELBOURNE COMPLEX

IS THE EPICENTRE

OF DISAPPEARANCES

 

4TD-2.8

TOTAL DEMATERIALISATION IS

MAKING COMPARISONS WITH

MISSING THINGS

 

WORDS ARE MINERALS

 

4TD-3.1

SHADOWS ARE ANTI-MATTER

 

4TD-3.2

BLACK IS A FORM

OF NEGATION

 

4TD-3.3

BY SUBDUING LIGHT THE

SUPERIMPOSITION OF DIFFERENT

DARKNESSES BECOMES

ORCHESTRATED ANARCHY

 

4TD-3.4

GENIUS IS A DIMINISHING LIGHT

 

TOTAL DEMATERIALISATION IS

THE AFTERMATH OF

SIMULTANEOUS BREVITY

 

4TD-3.5

TOTAL DEMATERIALISATION

DISCHARGES EXPERIENCES

WITHOUT AXES

 

THE MELBOURNE COMPLEX

IS PIONEERING

COMMUNICATION BETWEEN

SCATTERED FRAGMENTS

 

TOTAL DEMATERIALISATION IS

THE ADVENT OF NETWORKED

BLACK TABULA RASAS

 

4TD-3.6

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE


BETA EXCAVATIONS

5BEX-1.1

BETA EXCAVATIONS OF

THE MELBOURNE COMPLEX ARE

DELIVERING LIVE HABITATS

 

5BEX-1.2

BETA EXCAVATIONS ARE

CREATING POROSITIES

AND NEGATIVITIES

 

5BEX-1.3

BETA EXCAVATIONS ARE

ACOUSTIC AND THERMAL

MICROCOSMS

 

BETA EXCAVATIONS ARE

VENTILATING AND

ILLUMINATING WITH

WELL/ SHAFT COMBINATIONS

 

5BEX-1.4

THE SUBTERRANEAN MELBOURNE

COMPLEX IS A PERVERSE

TOPOGRAPHY

 

BETA EXCAVATIONS ARE

THE REINVENTION OF

THE MELBOURNE COMPLEX

WITHOUT VISION

 

5BEX-2.1

THE VOIDS OF BETA EXCAVATIONS

LAUNCH SHOCK AUTONOMIES

 

5BEX-2.2

BETA EXCAVATIONS ARE

THE OVERDUE REWINDING

OF ARCHITECTURE

 

5BEX-2.3

THE ARCHITECTURE OF

THE MELBOURNE COMPLEX IS

A PERENNIAL TRANSGRESSION

BETA EXCAVATIONS ARE

A REVERSAL

 

5BEX-2.4

BETA EXCAVATIONS ARE

AN INVERTED AND

BACKWARDS TRAJECTORY

 

5BEX-2.5

BETA EXCAVATIONS ERASE

AND FORGET

 

BETA EXCAVATIONS DO NOT

CONSTITUTE ADDITIONS AND

EMBELLISHMENTS

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU WHICH

YOU DID NOT COMPOSE

 

5BEX-2.6

BETA EXCAVATIONS REPRESENT

A SUB-SURFACE CIVILITY

MIRROR SYSTEMS CHART

RECIPROCAL SUBMERGED FLIGHT

 

5BEX-3.1

THE BETA EXCAVATIONS OF

THE MELBOURNE COMPLEX

CONSIST OF WATER/

INTERSTITIAL GARDENS/

MIRRORS

 

5BEX-3.2

BETA EXCAVATIONS ARE FOUND

VOIDS MEDIATED WITH

EPHEMERA AND EXTRA

HUMAN FLORA

 

5BEX-3.3

BETA EXCAVATIONS ARE

METHODICALLY DOCUMENTING

A PRODIGIOUS SUB-ARTIFICE

 

THE MELBOURNE COMPLEX

IS LOST

 

5BEX-3.4

BETA EXCAVATIONS ARE

THE INDIGENOUS

MICRO-ARCHITECTURE

INSIDE THE MELBOURNE COMPLEX


INSTANT ARCHEOLOGIES

6IA-1.1

INSTANT ARCHEOLOGIES ARE

REOCCURRING LOST MOMENTS

 

UNSPECTACULAR AMBIANCES

ARE ENDANGERED BY

DISENCHANTED TRANSFORMATIONS

 

6IA-1.2

THE MELBOURNE COMPLEX

IS SIMULTANEOUSLY

BLURRING AND ADVANCING

 

6IA-1.3

INSTANT ARCHEOLOGIES ARE

A RAPID NOSTALGIA

 

INSTANT ARCHEOLOGIES

ARE THE ZEAL OF

ABBREVIATED FAREWELLS

 

MIRROR SYSTEMS COMMEMORATE

AND HISTORICISE

INDISCRIMINATELY AT

MERCILESS SPEEDS

 

6IA-2.1

PERPETUAL DISTURBANCES

DEPOSIT AN ACQUIRED

AND PROVISIONAL INVENTORY

 

THERE ARE TRANSIENT LEGENDS

IN THE DISPOSABILITY

OF  THE MELBOURNE COMPLEX

 

6IA-2.2

INSTANT ARCHEOLOGIES

ARE EPISTEMOLOGICALLY

INDETERMINATE

 

6IA-2.3

INSTANT ARCHEOLOGIES ARE

THE FORMATION OF AN

EXEMPLARY BANALITY

 

INSTANT ARCHEOLOGIES ARE

THE DOMAIN OF VIRAL FOLLIES

AND INDISCRIMINATE SPOLIA

 

6IA-2.4

INSTANT ARCHEOLOGIES ARE THE

MEGALOPOLIS OF RUINS

 

6IA-3.1

THE MELBOURNE COMPLEX IS

A SUPERIMPOSITION OF

INSTANT ARCHEOLOGIES

 

6IA-3.2

BETA EXCAVATIONS EXPOSE

THE STRATA AND

INTERNAL ENIGMAS OF

URBAN ACCUMULATION

 

6IA-3.3

TOTAL DEMATERIALISATION IS

THE VACUUM THAT

RAREFIES MISCELLANY

 

MIRROR SYSTEMS THAT REFLECT THE IMAGE

OF YOU WHICH YOU DID

NOT COMPOSE

 

6IA-3.4

THE MELBOURNE COMPLEX

IS A RECORD

OF ITS OWN EVACUATION

NAMELESS EXTERIORS

7NEX-1.1

MIRROR SYSTEMS SUBSTITUTE

JUNK CREATIVITY WITH

NAMELESS EXTERIORS

 

NAMELESS EXTERIORS WILL

DELIVER THE INDETERMINACIES

OF THE MELBOURNE

COMPLEX INTO RELIEF

 

NAMELESS EXTERIORS DO NOT

ATTEMPT  TO RECREATE  THE

THE MELBOURNE COMPLEX WITH

CREATIVE ICONS

 

THEY ARE ALL INANIMATE

 

7NEX-2.1

THE MELBOURNE COMPLEX

IS INCIDENTALLY CHAOTIC

 

ITS SUBSTANCE IS BAROQUE

 

COMPLEXITY CAN NOT

BE REPRESENTED

 

7NEX-2.2

MIRROR SYSTEMS ARE RETROACTIVE

 

NAMELESS EXTERIORS ARE NOT

A CIVIC DECLARATION

IN ACTION

 

7NEX-2.3

NAMELESS EXTERIORS ARE A

MEDIATION WITHOUT FOCUS

 

NAMELESS EXTERIORS ARE

CONTRAPUNTAL SYMPHONY

IN EXILE

 

NAMELESS EXTERIORS ARE A

DISCONNECTED REVOLUTION

 

7NEX-2.4

NAMELESS EXTERIORS ARE WHEN

ARCHITECTURE LOSES

ITS IDENTITY

 

NAMELESS EXTERIORS ARE

A PANORAMIC BLUR

 

THE MELBOURNE COMPLEX IS

PLAYING WITH MANY FORCES

OF DILUTION

 

NAMELESS EXTERIORS ARE

A DIMINISHING RELATIVITY

 

7NEX-3.1

MIRROR SYSTEMS REPLACE

ARCHITECTURAL INTERFERENCE

WITH NAMELESS EXTERIORS

 

7NEX-3.2

X IS THE QUANTITIVE

TRANSGRESSION OF

MEASUREMENT AND CONTROL

 

7NEX-3.3

NAMELESS EXTERIORS

 

MIRROR SYSTEMS

THAT REFLECT THE IMAGE

OF YOU WHICH YOU

DID NOT COMPOSE

 

TOTAL DEMATERIALISATION IS

WHEN MATERIALITY AND

EXPRESSION ARE

ANTI-GRAVITATIONAL

 

7NEX-4.1

NAMELESS EXTERIORS ARE

DEVELOPED IN

NEUTRAL VACUUMS

 

NAMELESS EXTERIORS ARE

COLLECTIVELY EVADING

ATTRIBUTABLE QUALITIES

 

NAMELESS EXTERIORS ARE

THE CHOREOGRAPHED

DISAPPEARANCE OF QUALITIES

OUTSIDE PROGRESS

 

7NEX-4.2

NAMELESS EXTERIORS ARE NOT

A CLASSIFIED ERA

 

NAMELESS EXTERIORS

CONSOLIDATE NORMS

WITHOUT TELEOLOGY

 

7NEX-4.3

NAMELESS EXTERIORS

CONSTITUTE THE LATE PUBLIC

 

NAMELESS EXTERIORS

REPRESENT A NON

ALIGNMENT BETWEEN

ARTIFICE AND ITS PUBLIC

DEPROGRAMMING

8DP-1.1

DEPROGRAMMING IS THE

INTRODUCTION OF

INDETERMINATE AND

IRRECONCILABLE ARENAS

 

8DP-1.2

AUTHENTIC VOIDS HAVE

A PERMANENT FUTILITY

 

8DP-2.1

DEPROGRAMMING IS THE

CESSATION OF ARCHITECTURAL

ENCLOSURE AND THE

ABOLITION OF PRIVACY

 

DEPROGRAMMING IS CUTTING/

ERASING/ SUSPENDING/

BREAKING/ INCLINING

 

8DP-2.2

THE MELBOURNE COMPLEX

IS UNPLANNED

 

THE MELBOURNE COMPLEX

IS NOT A PLACE

 

THE MELBOURNE COMPLEX

IS INCLINING

 

8DP-3.1

DEPROGRAMMING EQUATES

WITH INSTANT ARCHEOLOGIES

 

DEPROGRAMMING IS REVERSING/

EXPOSING/ ABANDONING

 

DEPROGRAMMING IS PETRIFACTION

 

8DP-3.2

NOTHING WORKS

 

8DP-4.1

DEPROGRAMMING CORRESPONDS

WITH THE CESSATION

OF ARCHITECTURAL

PROFESSIONALISM

 

8DP-4.2

DEPROGRAMMING IS FORGETTING

INSTEAD OF LEARNING

 

8DP-5.1

DEPROGRAMMING IS NOT A

WARM SYNCHRONISATION WITH

TERRITORIAL CERTAINTIES

 

8DP-5.2

DEPROGRAMMING IS MIXING

SPECTRUMS OF

APPOSITE SPEEDS

 

DEPROGRAMMING IS THE

RELIEF OF SPEED

 

THE MELBOURNE COMPLEX EXISTS

AT BAROQUE SPEEDS

 

8DP-5.3

DEPROGRAMMING OPERATES AT

NON  TERRESTRIAL SPEEDS

 

LIGHT SHARES AN EQUAL

VELOCITY WITH DARK

 

DEPROGRAMMING IS NOT

THE  THEMATISATION

OF DIFFERENCES

 

8DP-5.4

THE MELBOURNE COMPLEX IS

NOT INTEGRATED

 

8DP-5.5

DEPROGRAMMING

IS A SERENE HOLIDAY

 

8DP-6.1

DEPROGRAMMING IS THE

LOGIC OF PERVASIVE

INTERSTITIAL GARDENS

 

8DP-6.2

DEPROGRAMMING IS

EXTRA HUMAN

 

THE MELBOURNE COMPLEX

IS UNINHABITED

 

8DP-7.1

DEPROGRAMMING ABANDONS

DESIGNATED PURPOSES WITH

MONOTONOUS REPETITION

 

DEPROGRAMMING IS  THE

ABSENCE OF COMMAND

 

8DP-7.2

DEPROGRAMMING IS THE

TRANSITION FROM RANKING

PRIORITIES TO INTERMINABLE

IRRATIONAL SEQUENCES

 

8DP-7.3

DEPROGRAMMING IS COLD

AND PRIMITIVE

 

MIRROR SYSTEMS THAT REFLECT

THE IMAGE OF YOU

WHICH YOU DID NOT

COMPOSE

SPECIAL MEMBRANES

9SM-1.1

SPECIAL MEMBRANES

CONSTITUTE ARCHITECTURAL

FILTERS CALIBRATED BY

DEPTH AND ATTENUATION

 

IS THERE IS AN

ELASTICITY BETWEEN PUBLIC

AND PRIVATE BEHAVIOUR

 

HOW FAR CAN SOMEONE

DISAPPEAR AND THEN

RE-EMERGE IN THE

MELBOURNE COMPLEX

 

9SM-1.2

SPECIAL MEMBRANES

CONSTITUTE DELAYS AND

IMMERSIONS IN THE

MELBOURNE COMPLEX

 

SPECIAL MEMBRANES CONSUME

THE MELBOURNE COMPLEX

WITH MANNERISMS

 

9SM-1.3

MIRROR SYSTEMS STROLL

BETWEEN REGIONS

 

MIRROR SYSTEMS DISCOVER

TRANS- CONTINENTAL

SOLUTIONS AND APPLY

THEM TO FAMILIAR ROUTINES

 

MIRROR SYSTEMS THAT REFLECT THE IMAGE OF YOU WHICH YOU DID NOT COMPOSE

 

SPECIAL MEMBRANES ARE THE

ARCANE DELICACIES OF DOORS/

CURTAINS/ THRESHOLDS/

SCREENS/ HINGES/ HANDLES

ARCHITRAVES RELOCATED TO

THE MYRIAD OF INTERSECTIONS

IN THE MELBOURNE COMPLEX 

 

9SM-2.1

THE NEBULOUS MELBOURNE

COMPLEX IS RELAYED BETWEEN

THE LOS ANGELES GERM / THE

HONG KONG GERM/ THE

LONDON GERM/ THE

BERLIN GERM

 

THE MATURATION OF

THE MELBOURNE COMPLEX

IS IN TRANSITS

 

9SM-2.2

DISPLAY WINDOWS/ VESTIBULES/

WARDROBES/ANTECHAMBERS/

FOYERS/ ATRIUMS ARE THE

VESSELS THAT PROVE THE

MELBOURNE COMPLEX IS

NEVER ENTIRELY PRESENT

 

9SM-2.3

THE MELBOURNE COMPLEX IS

NOT COMPLETELY HERE

 

THE MELBOURNE COMPLEX IS

PARTIALLY MISSING

 

THE MELBOURNE COMPLEX IS

A STYLE OF TRANSPORT

 

9SM-2.4

SPECIAL MEMBRANES

ARE FORM OF

UNDOCUMENTED BREVITY

 

SPECIAL MEMBRANES ARE THE

RECORDINGS OF

ACCIDENTAL INFORMATION

 

9SM-3.1

TEMPERATURES/ COLOURS/

REFLECTIVITY ARE THE

MUTABLE TERMS OF

SPECIAL MEMBRANES IN TRANSIT

 

9SM-4.1

FROM THE PROGENY OF

THE DIASPORA TO THE

SUPREMATIST COSMOS FLICKERING

GRANULAR ANARCHY

 

9SM-5.1

MIRROR SYSTEMS ARE SUMMER

SUNLIGHT REFRACTING

SPONTANEOUSLY INTO

THE DEEP SEA

 

MIRROR SYSTEMS TRAVEL

FROM ONE PLACE  TO

ANOTHER ACROSS A MEDIUM

OF FINE RESISTANCE

 

MIRROR SYSTEMS BALANCE

BETWEEN UNINHABITED

AND UNEARTHLY ISLANDS

AT NOON TIDE

 

9SM-6.1

MIRROR SYSTEMS ARE A

LUXURIOUS TRANSCONTINENTAL

JET TRAJECTORY

 

MIRROR SYSTEMS ARE

IN THE SPACE OF

TRANSPORTED SLUMBER

SAY UNBIND

 

MIRROR SYSTEMS INTERSECT

AT GREAT SPEED

SAY LOKSKOOIDGIIF